That said, Cuban-born Ana de Armas (soon to be seen in Blade Runner 2049) radiates more kick-ass charisma than her thankless sidekick role might suggest. And Eastwood’s increasing resemblance to his superstar father lends a kind of eerie second-hand cool to his sardonic squint and unruffled manner, adding a vague approximation of depth to a resolutely shallow screenplay, just as Clint himself brought a touch of class to his own mid-career Eurotrash vehicles like Kelly’s Heroes or The Eiger Sanction. Fans of vintage Ferraris, Porsches, Bugattis, BMWs and more will also find plenty of buff bodywork to drool over here, since the film’s four-wheeled stars are lit and shot with more devotional attention to detail than even the most demanding Hollywood diva.
Untaxing as drama, thin as entertainment, but modestly enjoyable as a revved-up caper movie, Overdrive is pure escapist fluff with a light French accent. Which still makes it smarter, leaner and cooler than any of the Fast and the Furious films it shamelessly mimics.
Production companies: Kinology, Sentient Pictures
Cast: Scott Eastwood, Freddie Thorp, Ana de Armas, Gaia Weiss, Clemens Schick, Simon Abkarian
Director: Antonio Negret
Screenwriters: Michael Brandt, Derek Haas
Producers: Pierre Morel, Gregoire Melin, Christopher Tuffin
Cinematographer: Laurent Bares
Editors: Samuel Danesi, Sophie Fourdrinoy
Cast: Scott Eastwood, Freddie Thorp, Ana de Armas, Gaia Weiss, Clemens Schick, Simon Abkarian
Director: Antonio Negret
Screenwriters: Michael Brandt, Derek Haas
Producers: Pierre Morel, Gregoire Melin, Christopher Tuffin
Cinematographer: Laurent Bares
Editors: Samuel Danesi, Sophie Fourdrinoy
93 minutes
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